Fox News Has No Shame (as Usual)

When Gov­er­nor Mark San­ford made his tear­ful Press Con­fer­ence announc­ing that he had secretly left the US to visit the woman he was hav­ing an affair with in Buenos Aires (and left his wife and sons over Father’s Day — Classy move, dude), Fox News decided that this was rea­son enough to switch his party affil­i­a­tion for him (notice the ‘D’ next to his name):

They later cor­rected it, but not after leav­ing this lie up a good long time.

Nice try.

Update: Appar­ently, they (Fox, that is) have indeed been at this a long time.

Brilliance From Keith Olbermann

Keith Olber­mann, the MSNBC pun­dit, and fre­quent spokesman for the US Left, kept me believ­ing that com­mon decency had not com­pletely left our for­mer coun­try dur­ing the last admin­is­tra­tion. I still watch his show via an iTunes pod­cast, since we don’t get MSNBC here. I’ve kept watch­ing him, mainly because I still want to keep in touch with what’s going on down there, and I have to admit that the results of yesterday’s Provin­cial elec­tion here have me a lit­tle dis­ap­pointed, espe­cially since we can’t vote yet. (I’d say ‘Wait till next year’, but we’ll have to wait another 4 years to get our chance.)

Despite the fact that Olber­mann doesn’t have George W. Moron to kick around any more (and let’s face it, as James Carville said on Real Time with Bill Maher: “The man was a walk­ing punch-line.”), every once in a while he is able to mix his por­tion of out­rage with equal parts humour, and the result is price­less. Tonight, he was in rare form, and I just had to share:

He’s a genius…Genius, I tells ya’!

Coming Up for Air and Tired Old Phrases

I’ve had to neglect blog­ging for much of this month, because I’ve been work­ing very hard. It’s hope­fully going to work out in the end, but this is one of those times where I have to keep inton­ing that mantra “It’s Only Tem­po­rary.” So, while today was one of those picture-perfect days we in Van­cou­ver get in the spring and sum­mer, I must con­fess that I only saw it via the occa­sional peek at a the KatKam web­cam from my win­dow­less office. I might as well have been under­ground, instead out in the place that has once again been named by Mer­cer Con­sult­ing, Num­ber 4 of the ‘Top 5 qual­ity of liv­ing rank­ing for cities world­wide’. While I am proud of the fact that my home is once again up there with Vienna, Zurich, Geneva and Auck­land as one of the best places to live, I have to admit that for us per­son­ally, for a vari­ety of rea­sons,  it’s been a very tough past cou­ple months. How­ever, I’m look­ing for­ward to beau­ti­ful sunny days with cool breezes, local straw­ber­ries and aspara­gus, walks along the False Creek sea­wall and the return of the Farmer’s Mar­kets on the week­ends. The foun­tain in the park across the street is flow­ing again, and the tulips are out in full force. I just have to be sure to get out and enjoy all of those things. After all, they are all only tem­po­rary as well.

Heard Often. Way Too Often

To keep an eye on our for­mer coun­try, Pam and I have tried to catch one of the net­work news chan­nels from the US each evening over din­ner, so we keep switch­ing between TiVO record­ings of Brian (Williams), Katie (Couric) and Char­lie (pro­nounced the way Sarah Palin did in the puff-piece inter­views he did her, as the sharp, twangy CHAR-ly, Gib­son). I’ve been notic­ing an annoy­ing ten­dency by both the reporters as well as the pub­lic (and politi­cians) for using the same phrases over and over again. Here are a few that I’ve just about had enough of:

Come Together
What does that phrase mean? Aside from the sex­ual double-entendre, as far as I can tell, it means to have a pub­lic meet­ing where  prob­lems like gang vio­lence, racial strife and poverty are all mag­i­cally over­come by an aura of good fel­low­ship. Sorry, I’m not buy­ing it. It’s an empty phrase uttered over and over again in front of TV cam­eras by peo­ple who have no idea what they are saying.

Bipar­ti­san
Until recently ‘bipar­ti­san’ used to mean some­thing. I think it meant that both of the big, iconic US polit­i­cal par­ties sup­port some­thing, as opposed to its more com­mon oppo­site, ‘par­ti­san’ (which now that I think of it, could have been Monopar­ti­san). Now,’ bipar­ti­san’ is uttered by politi­cians mean­ing (depend­ing on which side they are on)  ‘Some­thing I wanted but never got’ or ‘Some­thing we should all look like we are try­ing for even though we really don’t want it any­way’.  Like Lite and Fat-Free or Sus­tain­able, it’s an now a mean­ing­less word held aloft like a flag of vic­tory or rag of defeat.

Wall Street always fol­lowed by Main Street
It used to be that you could say ‘Wall Street’ and every­body knew that it referred to the New York Stock Exchange, as well as the other busi­ness and orga­ni­za­tions in that gen­eral geo­graphic area of Man­hat­tan. Now, like Twee­dle Dee and Twee­dle Dum or Flot­sam and Jet­sam, it has become a stu­pid short­hand for the hos­til­ity between the rich and con­nected in the Finan­cial Ser­vices Sec­tor vs. Mid­dle Amer­ica. Like two squab­bling chil­dren, we are sup­posed to make sure both are taken care of, but not to let the other get jeal­ous or sulky. I hope they break up the idiom before it becomes another ‘prim and proper’ or ‘tooth and nail’.

Bailout
’Bailout’ orig­i­nally meant ‘an act of loan­ing or giv­ing cap­i­tal to a fail­ing com­pany in order to save it from bank­ruptcy, insol­vency, or total liq­ui­da­tion and ruin’. (Wikipedia). Now it’s almost become a joke phrase, mean­ing  Free Money.  Enough, already. It’s never funny.

…and the word or phrase that I’ve found the both the most ubiq­ui­tous and annoy­ingly impre­cise on the news these past months:

Trans­par­ent
I’ve heard this word used so many times, I’ve started doing the old Pee-Wee’s Play­house shtick (well, not scream­ing real loud, but say­ing ‘ding!’) every time it is uttered.  I think it was to sug­gest that like a glass house, the oper­a­tions and deci­sions of an orga­ni­za­tion (such as the Fed­eral Gov­ern­ment) were to be eas­ily appre­hended by the pub­lic, typ­i­cally by using a Web Site or some other pub­licly acces­si­ble medium. Wasn’t that what C-SPAN was sup­posed to do? (except of course, nobody but the wonks and fanat­ics both­ered to watch it). Again, like ‘Come Together’, Trans­par­ent is another word or phrase overused to the point of meaninglessness.

There are oth­ers, but these are the ones that come to mind today. I’m sure that in a few weeks I’ll be sick of ‘Tor­ture Memo’ and ‘Pan­demic’, because they’ll have been made just as mean­ing­less through rep­e­ti­tion by that time.

Louis Andriessen and Passover Seders

Louis Andriessen at 70

Years ago I dis­cov­ered a stun­ning and mon­u­men­tal work for Cho­rus and Orches­tra called De Staat (which trans­lates to The State or in this case, ‘The Repub­lic’ based on Plato’s Repub­lic).  If you haven’t heard it (and I strongly rec­om­mend check­ing out a record­ing), it’s kind of like Stravinsky’s Rite of Spring, but with the vol­ume, heart-pounding rep­e­ti­tions and unisonic craggy lines of force taken to 11 (as Spinal Tap would put it). It made a big impres­sion on me, even though I only heard it on record­ings, and I even remem­ber using a bit of it in a lec­ture I gave about the tools and tech­niques that a com­poser can use to manip­u­late the sub­jec­tive per­cep­tion of time.  The Dutch com­poser Louis Andriessen wrote it, and in some ways it has become, like Stravinsky’s Rite,  one of those big, iconic pieces in music his­tory where audi­ences got to feel not so much a tide turn­ing as a tidal wave crash­ing upon them. To give you an idea of some of the power of this work, lis­ten to this bit near the begin­ning where sec­tions of the orches­tra pound away until (in a style not unlike con­tem­po­rary cin­ema) they get spliced right on to a vista that opens up:

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Now imag­ine a piece for large orches­tra and cho­rus that does this kind of thing for over a half hour with no break. Sec­tions build, crash, and coa­lesce, like tec­tonic plates crunch­ing. It’s huge, exhaust­ing, and I would imag­ine, shat­ter­ing. As you’d expect, De Staat doesn’t get played very often, but I hope some day to hear it live.

Big orches­tra or not, I was thrilled that last week, Andriessen was here, in Van­cou­ver, as part of a world tour, cel­e­brat­ing his 70^th Birth­day and as part of the Music on Main series. The Turn­ing Point Ensem­ble, one of Vancouver’s few New Music ensem­bles, played at Her­itage Hall, a dis­tinc­tive old build­ing on Main. Andriessen’s Zil­ver, which he wrote in 1994 was last on the pro­gram, set up by a series of works by other com­posers, some of them present in the hall (and a piece by Andriessen’s father, Hen­drik, which was a charm­ing, if some­what out-of-place 19^th century-sounding Inter­mezzo for flute and harp).  Of all the works lead­ing up to Zil­ver, I liked best David Lang’s Sweet Air, ded­i­cated to Andriessen on his 60^th Birth­day. Lang won a Pulitzer last year for his Lit­tle Match Girl Pas­sion, a set­ting of Hans Chris­t­ian Anderson’s story set as a work for singers and orches­tra (like Bach’s St. Matthew Pas­sion). It is indeed sweet, and floats along, spin­ning out end­less vari­a­tions on this open­ing set of repeat­ing patterns:

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While I don’t have a record­ing of Zil­ver (and have never heard it), it was a lot of fun, and full of all sorts of inter­rup­tions and col­li­sions of one layer of instru­ments with another. We also had the treat of Andriessen telling a few funny sto­ries before the per­for­mance, aliken­ing the organ’s pedal parts in Bach’s Chorale Pre­ludes to lit­tle duets between birds being inter­rupted by a cow moo­ing, and how he once per­formed in a ‘Left-Wing’ Ensem­ble called ‘Per­se­ver­ance’ that made the unfor­tu­nate choice of set­ting up their free out­door con­cert near the flight path of planes com­ing in for a land­ing at a nearby air­port, where the inter­rup­tions here were a lot big­ger than a moo­ing cow. He was wear­ing a fedora and rain­coat, and seemed to be hav­ing as much fun as the rest of us were.  I hope we’ll get 30 more years, at least, of music and sto­ries from this merry agi­ta­tor from the Netherlands.

Seders in Van­cou­ver, Detroit and Wash­ing­ton D.C.

Last night we hosted a small (3-person) Seder for Pam, her friend Heather, and me, tech­ni­cally on the sec­ond night of Passover. I cooked the some of the usual fare: the mortar-symbolic Charoset, which is sort of chut­ney of chopped apples, mixed nuts, a lit­tle honey, cin­na­mon and red wine, and tzimmes (lots of vari­a­tion here, but basi­cally it’s sweet car­rots with some prunes, and other items — some­times even with meat). The cen­tre­piece of the meal was a small leg of lamb (or was it the leg of a small lamb?). I roasted it with some rose­mary and it came out OK, but I’m still not sat­is­fied with how I cook lamb and need to work on get­ting a fool­proof tech­nique that doesn’t pro­duce meat that’s either rub­bery or dried out and greasy.

I found out that the night before (in addi­tion to my par­ents and other rel­a­tives hav­ing their Seder in Detroit), there was a Seder at the White House. I was frankly sur­prised and pleased that Obama would do such a thing, espe­cially as he is the first Pres­i­dent to ever host a Seder. The hol­i­day cel­e­brates the end of a period of slav­ery in the Old Tes­ta­ment, so the par­al­lels between the the Eman­ci­pa­tion of Amer­i­can Slaves and the Exo­dus of Jew­ish Slaves from Egypt was some­thing that I hope was not lost on the peo­ple around the table. Hav­ing extended the hand of friend­ship toward the Mus­lim world last week in Turkey and prepar­ing to par­tic­i­pate in the typ­i­cal Chris­t­ian activ­i­ties this week­end (Attend­ing Church Ser­vices on Sun­day, the Easter Egg hunt on the White House Lawn, etc.), the Oba­mas were a class act to include the Jew­ish hol­i­day as well.

Arnold Says the US Should be More Like BC

Did I ever men­tion that my favourite TV theme is John Williams’ music to ‘Meet the Press’? It’s dri­ving, but catchy music, and the part where the vio­lins leap by a minor-ninth always sounds like a Mahler sym­phonic theme to me (I’m think­ing the 6^th or 7^th Sym­phony — one of these days I’ll play excerpts and point it out). The other part I like is near the end of it, where the brass break out into a bit of coun­ter­point, which has been said to be a musi­cal rep­re­sen­ta­tion of polit­i­cal spar­ring, but I just hear John Williams mak­ing a lit­tle nod to J.S. Bach.

Not long after that intro­duc­tion, we had one of those jaw-dropping, did-he-just-say-that? moments this morn­ing at break­fast. We had TiVO’ed Meet the Press (yes, once a US News Wonk, always a US News Wonk). The guests this morn­ing were the Mayor of New York City, Michael Bloomberg, the Gov­er­nor of Penn­syl­va­nia, Ed Ren­dell, and the Gov­er­nor of Cal­i­for­nia, Arnold Schwarzeneg­ger. The three men were all cam­paign­ing for spend­ing on US Infra­struc­ture. I was thrilled to hear the term ‘High-Speed Rail’ men­tioned more than a dozen times. What made us nearly spill our cof­fee was this bit, said by the ‘the Gov­er­na­tor’ himself:

Well, they had me fooled, at least in terms of a love-fest here between the pri­vate sec­tor and the gov­ern­ment when it comes to tran­sit. (The recent pro­ceed­ings of a law­suit by a mer­chant whose busi­ness was all but elim­i­nated by the Canada­Line con­struc­tion on Cam­bie Street comes to mind). Still, com­pared to the bit­ter­ness and hatred between all things pub­lic and pri­vate in the US, I guess we do have rel­a­tively more coop­er­a­tion here than they do there.

I will be thrilled to see high-speed rail show up in the US, and it would be even more sur­pris­ing to see them use British Colum­bia as the model for financ­ing it.