The Gates

Yes­ter­day, Pam and I took the Fung Wah bus from Boston to New York to take a look at The Gates, Christo and Jeanne-Claude’s instal­la­tion of 7,500 fabric-festooned arch­ways along the path­ways of Cen­tral Park. We had a great time, even with the 4 hour ride there and back (although the price was right; $15 each way!). Have a look at all the pho­tos we took at Flickr.

I was struck by how such a sim­ple thing — fab­ric and steel arch­ways — changes the expe­ri­ence of the place. It was no longer a sim­ple walk in the park. Sud­denly, it’s as if the whole area were turned into an ant farm, with tun­nels going each and every direc­tion, con­verg­ing, and encir­cling. Add to that, the color, which was like an orange shout on the gray Feb­ru­ary land­scape. I wish that I could have sped through them on some sort of scooter or bicy­cle, pass­ing through the path­ways at top speed, expe­ri­enc­ing the ever-arriving, ever-leaving at 30 or 40 mph. Still, even at a stroll’s pace, I enjoyed the trip and the instal­la­tion. A pity that it will only be around for such a short time. But then, after it’s gone, the ghost of those gates will prob­a­bly linger a lit­tle while, like the smell of saf­fron after the meal is over and the plates are put into the dishwasher.

writ­ten while lis­ten­ing to Brahms — String Quin­tet No. 2 in G Major, Op.111 (arranged for piano, 4 hands)- i. Alle­gro ma non troppo from the album “Brahms — Four Hand Piano Music, Vol. 12″ by Matthies, Kohn, Piano

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Oversleeping

We had to change our plans for today. We were plan­ning on going to New York City for the day, leav­ing early in the morn­ing on the Fung Wah or Lucky Star Bus to Chi­na­town. Well, we woke up 40 min­utes too late because Pam had turned on the alarm, and I had unknow­ingly turned it right back off again (*tap-tap on, tap-tap off*). So our expe­ri­ence of ‘The Gates’ will have to wait for a few days. Good thing we hadn’t bought tick­ets already.
Took the oppor­tu­nity to get some stuff done, since I was here a day I thought I wouldn’t be: Got adver­tise­ments for the piano posted at the Longy School of Music and the New Eng­land Con­ser­va­tory (actu­ally, at NEC you can only leave the flyer there, and hope­fully some­one will post them in a good place) I take some pride in that it was a beau­ti­fully designed and pro­duced poster, com­plete with pho­tos and schematic in full color. (Here’s a PDF).

Also sent a check (or rather, a cheque) to Cam­bridge Uni­ver­sity to pay for a sealed tran­script. Another require­ment of our immi­gra­tion forms are sealed tran­scripts of every col­lege I got a degree from. Which reminds me that I have to do the same with the Uni­ver­sity of Cincin­nati. Orig­i­nally the Cam­bridge per­son said I had to send a cheque in the amount of 7 pounds. Then I found out from my bank that there is a min­i­mum $25 charge for cut­ting a check (or cheque) in any for­eign cur­rency. So that’s right; the roughly $13 in British pounds would have also incurred a charge roughly twice that amount! For­tu­nately I found out that Cam­bridge U. will accept US cur­rency for these records (and I sent $15 rather than 13), but it’s becom­ing clear that we have to start doing some­thing about head­ing off these for­eign cur­rency charges — which will hold true for cheques made out in Cana­dian dol­lars just as well as British pounds.

It was good to walk around Boston today. The sun was out and it wasn’t too cold for much of the day. It also gave me a chance to stretch my legs a lit­tle. In ret­ro­spect, if I had taken the bus to New York and walked around Cen­tral Park for 2–3 hours, I prob­a­bly would be dead tired now; I’m really out of shape!

writ­ten while lis­ten­ing to Hin­demith — Sonata for Harp — i. Mäßig schnell from the album “Harp Music by var­i­ous com­posers ” by Andrea Steck­er­meier Thiele, Harp

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Why I Don't Celebrate Valentines Day

OK. I want to get this out of the way before it hits tomor­row, but I strongly dis­like Valen­tines Day. Note that I don’t say ‘hate’. Hate implies some unspo­ken issue that forces strong emo­tions to the sur­face. When a teen boy or girl says they ‘hate’ some­one or some­thing, it’s usu­ally because they have a strong attrac­tion to it (either neg­a­tive or pos­i­tive). That’s not the case here, as I don’t have vio­lent reac­tions to Feb­ru­ary 14th, but rather am irri­tated by what peo­ple have made of it, and I pre­fer to not par­tic­i­pate, thank you.

There are some obvi­ous rea­sons for my antipa­thy, such as the fact that the hol­i­day is more or less pro­moted entirely by the Greet­ing Card and other related indus­tries (as well as Con­fec­tion­ers, Hotels, Restau­rants, and Liquor Stores). I also don’t like the idea of ever fol­low­ing the herd, just on prin­ci­ple. But my biggest rea­son for dis­lik­ing Valentine’s Day is that it’s an oxy­moron. To me, the whole point of roman­tic love is is that it’s spon­ta­neous. You don’t pick a date to be roman­tic; it just hap­pens. An angle of the light, an oppor­tu­nity to be naughty, a cel­e­bra­tion that turns into some­thing else, a good-bye that turns pas­sion­ate; It’s not a planned event on the cal­en­dar: On Feb­ru­ary 14th plan to be roman­tic. That’s ridicu­lous. You might as well say On March 2nd get curi­ous or On August 8th become bored.I also dis­like the pres­sure by peers (or the news­pa­pers or tele­vi­sion) to be roman­tic: If you aren’t on act­ing roman­tic on Valentine’s Day, you are either to be pitied or lec­tured to. If you don’t go through the motions, they say, you’re only miss­ing out on the fun. Your part­ner may say that he or she under­stands, but they’re really secretly dis­ap­pointed in you, year in and year out. Or worst of all, you have deep emo­tional fail­ings in the romance depart­ment if you can’t turn it on and off like a Viagra-powered light switch.
I may be exag­ger­at­ing the whole pres­sure and expec­ta­tions thing a bit; most of my friends and fam­ily (includ­ing my sig­nif­i­cant other) accept my Valen­tine Scrooge role as a charm­ing foible, like those peo­ple who get upset about Thanks­giv­ing or rail about the com­mer­cial excesses of our modern-day Christ­mas cel­e­bra­tions (which do indeed dwarf the pro­mo­tion of flow­ers and choco­lates that the world of com­merce has imposed on this hol­i­day). Come to think of it, Jews prob­a­bly shouldn’t have to feel com­pelled to cel­e­brate this hol­i­day any­way; it’s a Saint, after all, who’s name is being invoked.

Who knows, maybe some Valentine’s Eve I’ll be vis­ited by the three Dick­en­sian ghosts of Valentine’s Day Past, Present and Future, and we’ll all have a great orgy (com­plete with lace, choco­late and show­ers of rose petals) that con­vinces me of the error of my ways and makes me vow to pur­sue the bless­ings of Valentine’s Day the whole year round.
I’m not bet­ting on it.

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A more up-to-date Me

Spent the day at home today, mostly just relax­ing and answer­ing email. One thing I did get done was have Pam take a new por­trait of me. Why do this? Because it’s always handy to have a cleaned up, scal­able head-shot for online ser­vices, avatar icons, login pic­tures, etc. My old pic­ture was just too out of date. Here’s the new one:

Not bad, I hope. Well, at least it’s more hon­est about how old I look than the one I’ve had up every­where. Have to work on updat­ing my Com­cast web page, which I’m hop­ing I can inte­grate with this blog.

So lit­tle to do, so much time… Strike that, reverse it.” — Willy Wonka

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Empire Records. That sure was 1995!

I’m deter­mined to do at least a cou­ple of entries per week here. I know that I’ll have some more to write about early next week (plan­ning a trip), but for now, it’ll have to be some­thing mun­dane. We just fin­ished din­ner (lamb shanks, cooked in a nice braise of car­rots, cel­ery, onions, red wine, chicken broth and herbes de provence) and now I’m think­ing about the movie I saw last night: Empire Records. It’s one of those movies that has two key features:

  1. It has a large, ensem­ble cast with peo­ple who turn up later in lots of movies. For instance, George Lucas’s Amer­i­can Graf­fiti had Richard Drey­fuss, Ron Howard, Har­ri­son Ford, Kath­leen Quin­lan and even Suzanne Som­mers (who will always be remem­bered as the mys­te­ri­ous Blonde in the T-Bird).
  2. It seems to mark a point in an an era that is absolutely a water­mark. You can point to that movie and say, ‘yeah, that was absolutely 1999/2000, as is the case with 200 Cig­a­rettes (which also had a lot of famous peo­ple in the cast, includ­ing Ben and Casey Affleck, Dave Chap­pelle, Janeane Garafalo, Kate Hud­son, Jay Mohr, Martha Plimp­ton, and Christina Ricci (wow!). My all-time favorite move like this is Real­ity Bites (with Ben Stiller and Janeane Garafalo again, as well as Winona Ryder, Ethan Hawke, Swoosie Kurtz, and Renée Zell­weger), which tech­ni­cally should have been too late for me to iden­tify with (his­tory says I was 34 when it came out), but some­how it feels like the movie I can point to and say, ‘yeah, that was my era too’.

At any rate, Empire Records is another one of them (and it also stars Renée Zell­weger, so I guess there could be a sort of Kevin Bacon game amongst these types of big ensem­ble movies). The big cast in Empire Records includes Ms. Zell­weger, Liv Tyler (yowza!), Anthony LaPaglia, Robin Tun­ney, Debi Mazar and even Tobey Maguire (although his scenes ended up on the cut­ting room floor). And you can point to it and say ‘1995’, which is when it was shot and takes place. Absolutely 1995.

I won­der what the film that typ­i­fies the early 2000 decade will be? I don’t think it’s been made yet (although I sus­pect the movies the last few years will be known for will be Pas­sion of the Christ and Fahren­heit 9/11). We may or may not know the movie when we see it. I doubt if any­body real­ized that Amer­i­can Graf­fiti, Real­ity Bites, 200 Cig­a­rettes or Empire Records were so emblem­atic of their time and that so many of the cast would be so busy afterward.

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